Wednesday, October 21, 2009

Others with Stationary Success

Recently I've been looking at what other's cards and stationary that is very similar to what I want to be making. 
 While looking at these cards I've been focusing on 
  • Packaging - thin plastic case with the front of card exposed and envelope behind it. 
  • Envelope - Either related directly to the card in color or just plain white
  • Labeling - Typically artist/company information and website were printed very small on the center back of the card. 
  • Variety of products - Almost all that go from stationary and postcards to journals/notebooks. There were also coffee cups, t-shirts, wallets, bags posters, magnets. 
  • Sizing of the cards - The ones that were a variety of sizes looked so similar in style that you knew they were related. 


In the small groups last Tuesday we talked about the typical Hallmark-like categories that cards fall into and how my work strays away from the "Get Well Soon" type of cards. At http://www.kissmekwik.co.uk/ I found a list of categories that closer captures my themes.



These cards are similar to mine because of the juxtaposition of the old images images with charged biting text. However, I think there could be more of a focus on design and craft because they just slapped these white text bubbles on the image.




Bluebarn House.
This company that uses more thought and technique in their creating. 
Printing. Letterpress. Recycled papers. 

" Wanting to steer away from the standard mass-produced fare so common to the publishing industry"


Wednesday, October 14, 2009

Fashion Illustrators

Fashion illustrators...uuhhhhh
....that's as about as much as I can say. Some don't see the need for it or the value in it. However the  UK and France get it with Japan close behind (although more digital than I prefer)





Monday, October 12, 2009

5 + 1 ObSTructions

This week I looked at what I've made thus far. I noticed a clear pattern/formula for how I've been working. Thank you Lars Van Trier.

Neutral colors + old images (typically involving people) + matte mod podge + sewing details + text =


My obstruction was kind of like playing a game. Each card I made I had add something that I typically hadn't or subtract something. Some of the adjustments were small, probably unnoticeable to those besides myself and other adjustments were larger and made a clear difference in the aesthetic I've established so far.

*Used a new magazine
*Used a more abstract image
*Showed only the hand of a human instead of a full figure

*Used two images together
*Used new magazines
*Mixed machine stitches with gluing the string down

*No figure
*No mod podge

*No figure
*Correlation between "grow" and the image.
*"Friendly" card. There's not really any humor incorporated into this card

This card was probably the biggest jump from my work thus far and although it's not successful in my eyes. I think I'll be using some of the techniques again.
*New magazine
*Subtracting the image
*Glossy mod podge
*Glued down the string
*No machine stitching
*No text

Tuesday, October 6, 2009

Project Wants...Project Gets.

Scan's from the real "In Case of Loss, Please Return To:"




Suggestion of putting the "punch lines" on the inside of the card...creating more time/interaction between the initial viewing and full comprehension.

Monday, October 5, 2009

Blogs, Collages, and Roberto Benigni

Charles just exposed me to Maira Kalman's blog today and I really love her use of text, both the handwriting style and the details she chooses to note.

http://kalman.blogs.nytimes.com/

Currently I'm trying to develop a narrative/story-telling quality within the collection of my own work.

Interested in descriptions that explain to you rather than tell you.
Roberto Benigni's character Attilio de Giovanni in La tigre e le neve says this:
"I told myself: 'There must be people whose job it is to use the right words, put things in a way... who when their heart beats, can get other people's hearts to beat.' That day I decided to become a poet."

The movie wasn't so great, but that line was worth it. I don't plan on being a poet, or for that matter probably not even a professional artist. But if you're going to communicate anything, one should strive to get their viewer/listener to feel it or react to it, not just understand it.